Operating business39% entry signalMarket screen5 sourced figuresOne thing must be truegrowth quality

Commercial Radio Station Licence

Prepared 2026-09-19
Sponsored Radvioon Radvio Record audio and video from a browser or phone and broadcast it live — play-by-play, podcasts, webcasts, internet radioOpen ↗

The industry — Radio and television broadcasting stations

Base industry report for 5161 →
Establishments · CanadaA
1,189
with employees
Under 10 employeesA
57%
most common size: 1–4

Of 1,189 Canadian establishments with employees, 57% have fewer than ten — mostly small operators.

Entry signal — what decides who wins here

One thing must be true
Structure decides One thing must be true Execution decides

Entry turns on a single condition that can be named and tested before much is spent. Clear it and this becomes an execution question; fail it and no amount of operating skill helps.

What you would have to beat

Take share rather than ride the market. Demand is flat, seasonal or policy-driven, so growth has to come out of a competitor. That is possible and it is slower, and it rewards an operator who can wait.

How it was read
Binding constraintUNVERIFIEDgrowth quality — Market shape — being better does not, by itself, clear it.
How fragmented the field isA57% of establishments have fewer than ten employees — Fragmented — there is share to take and no scale operator to displace.
What it costs to be in the businessUNVERIFIEDhigh capital — The structural profile of subsector 516, inherited by every industry beneath it.
How many new establishments are still tradingA
Information, US · opened 2020
79.6%
1 year
59%
3 years
45.7%
5 years
30%
10 years
opened 2015

Measured, not forecast: the share of US establishments opening in one year that were still active later. It counts good operators and bad ones together, which is exactly why it is the honest answer to “what are the odds”. It is for the whole sector rather than this market, and the ten-year figure comes from an older cohort because no younger one has reached ten years.

This is not a probability of success, and it is not a verdict on you. No survival probability is published per market, and inventing one would be worse than saying so. What the bar reads is how much of the outcome sits inside an operator's control: green means the hurdles are ones a better operator clears, red means the binding constraint is capital, an asset or a permission rather than execution. Someone arriving with an advantage this screen did not assume can win a market shown in red.

Companies named in this market · 9

The binding constraint — growth quality

A small-market radio station is the enterable thing in this group: a CRTC licence, a transmitter, a few staff, and the merchants of one town as advertisers. 673 of Canada's 1,189 broadcasting establishments employ fewer than ten people [A], and stations change hands regularly. The pre-screen cut this on licences and spectrum. The screen finds the licence is the smaller problem. The revenue the licence protects is shrinking. Trade reporting of the CRTC's 2024–25 market report puts commercial radio at $1.06B, down 2.6%, and private conventional television at $1.17B, down 7.3%, on a PBIT margin of −40.4%, while online services took about 40% of all broadcasting revenue [B]. A licence is a protected position in a market advertisers are leaving, and the protection does not extend to the platforms taking the money. Stingray shows what it takes to stand still: its radio segment held $132.4M of revenue, flat, at a 31.3% adjusted EBITDA margin in fiscal 2026 [A], with growth in digital advertising only offsetting the fall in airtime sales. That margin is a group result — shared programming, national sales representation and engineering spread across a portfolio of stations. The single station has the same decline without the shared cost base, and its eventual exit is a sale to one of those groups at the buyer's price. Television is cut more simply: the sector's operating margin is deeply negative before an entrant has bought a camera. Streaming and online audio have no licence barrier and sit outside this group.

Market scalelocalunit: one licensed market — the contour a station's CRTC licence authorises it to serve

A station may only broadcast to the market named on its licence and sells most of its airtime to advertisers inside that contour. National revenue totals describe the direction of travel; the addressable market is the local advertising budget of one licensed area, shared with the other stations licensed there.

Canadian establishments with employeesA 1,189 (Statistics Canada, December 2023)
Establishments with fewer than 10 employeesA 673 of 1,189 — 57%; 13 employ 200 or more
Stingray radio segment, year ended 31 March 2026A revenue $132.4M, relatively stable year over year; adjusted EBITDA $41.5M, 31.3% of revenue; higher digital advertising mostly offset by lower airtime sales
Commercial radio revenue, 2024–25 broadcast yearB $1.06B, down 2.6% (CRTC market report, as reported by Broadcast Dialogue)
Private conventional television, 2024–25 broadcast yearB $1.17B, down 7.3%; PBIT margin −40.4% (CRTC market report, as reported by Broadcast Dialogue)
Online services' share of broadcasting revenueB about 40% (CRTC market report, as reported by Broadcast Dialogue)
I

Who you would be competing with

The operators already at scale here, and whoever is buying these businesses. In most of these industries the competition an entrant meets is local, so this is who sets the terms rather than a list of everyone in the trade.

Largest operator
Stingray Group (TSX: RAY.A) and Corus Entertainment (TSX: CJR.B) are the two groups that disclose a radio segment; Bell Media and Rogers Sports & Media hold the large-market stations and disclose nothing
Scale
Stingray's radio segment held $132.4M of revenue, relatively stable, at a 31.3% adjusted EBITDA margin in the year to 31 March 2026. Corus's radio segment took $84.7M in fiscal 2025, down 10%, at a 15% segment margin — inside a company that lost $328.4M and finished the year with $1,137.2M of net debt at 6.01× segment profit, against 3.84× a year earlier.
Concentration
Not published per station. Commercial radio as a whole took $1.06B in the 2024–25 broadcast year; the two disclosed radio segments above total $217M on different fiscal calendars, so no clean share is derivable from them.
Others in the field
Bell Media, Rogers Sports & Media, Cogeco Media in Quebec, and the private regional groups — Jim Pattison Broadcast Group, Vista Radio, Golden West Broadcasting, Harvard Media, Evanov — plus the one- and two-station independents that make up most of the 1,189 establishments, 673 of which employ fewer than ten people.
Lock-in mechanism
Not assessed — screened before diligence. The licence is the nearest thing to one, and it protects a shrinking revenue pool rather than a customer relationship.
Price movement
Commercial radio revenue fell 2.6% in the 2024–25 broadcast year. Corus's radio revenue fell 10% in fiscal 2025; Stingray's radio revenue was flat, with growth in digital advertising offsetting lower airtime sales.
Is the buyer consolidating?
Yes — The groups are the only realistic buyer of a single station, and they are in no position to pay: Corus finished fiscal 2025 at 6.01× net debt to segment profit after a $328.4M loss. A distressed acquirer is a weak bid, and that is the exit an entrant is underwriting.
F

Financials & market size — sourced

Figures that came from a filing, a results release or reputable reporting, each carrying its evidence tier.

Stingray radio segment, year ended 31 March 2026A revenue $132.4M, relatively stable; adjusted EBITDA $41.5M, 31.3% of revenue
Corus radio segment, fiscal year ended 31 August 2025A revenue $84,651K, down 10%; segment profit $12,975K, a 15% margin
Corus consolidated result, fiscal 2025A revenue $1,127,420K, down 11%; net loss attributable to shareholders $328,405K; television $1,042,769K, down 11%
Corus leverage at 31 August 2025A net debt $1,137,184K; net debt to segment profit 6.01×, against 3.84× a year earlier
Commercial radio revenue, 2024–25 broadcast yearB $1.06B, down 2.6% (CRTC market report, as reported by Broadcast Dialogue)
$

Market size, derived

Built from the competitor set upward rather than quoted from a forecast. Published TAMs in these categories are frequently reverse-engineered from each other, so any published figure is checked against the vendor arithmetic rather than trusted on its own.

Revenue floor
$217M

Disclosed revenue from 2 of 5 named vendors. The market is at least this large.

Implied total — revenue ÷ share
—

No vendor has both a disclosed revenue and a published share.

Published forecast
—Floor only

Only a revenue floor is known — the true market is larger by whatever the undisclosed vendors earn.

Competitor set · 5 named · 2 disclose revenue

NameRevenueShareNote
Stingray GroupTSX: RAY.AA $132M — radio segment revenue, year ended 31 March 2026
Corus EntertainmentTSX: CJR.BA $85M — radio segment revenue, fiscal year ended 31 August 2025, down 10%
Bell Media / Rogers Sports & Media / Cogeco MediaC not disclosed — Radio is not separately reported inside BCE, Rogers or Cogeco, and no segment figure was opened for this record. These are the groups that hold the large-market licences and set the national advertising rate
Jim Pattison Broadcast Group / Vista Radio / Golden West Broadcasting / Harvard MediaC not disclosed — Private regional groups operating clusters of small-market stations — the direct competitor to an entrant buying one station, and none of them publishes anything
The 673 establishments with fewer than ten employeesA not disclosed — Statistics Canada, December 2023: 673 of 1,189 broadcasting establishments employ fewer than ten people and 13 employ 200 or more. The small-market single station is the normal case in this code

Evidence

Evidence. Stingray's radio figures were read in its fourth-quarter fiscal 2026 results release [A]. The CRTC sector figures are tier B because the CRTC's own site refused automated access; they were read in Broadcast Dialogue's report of the CRTC publication, not in the CRTC table, and should be checked there before use. Not obtained: the CRTC's own table carries a radio PBIT margin for the year, but that page refused automated access and the margin is not quoted here on the strength of a search summary; no count of licensed stations and no station sale price was found — so the claim that a single station exits at the buyer's price is analyst judgment. The contrast between group and single-station economics is inferred from Stingray's segment margin, not measured on a standalone station. The cut factor is analyst judgment. Added in completion: Corus Entertainment's fiscal 2025 radio segment revenue and profit, consolidated revenue, net loss and net debt were read in its 30 October 2025 fourth-quarter and year-end results release [A]. Corus's radio segment is carried here because it is the only Canadian disclosure that separates radio revenue from radio profit at a group with distressed leverage — which is what makes it evidence about the exit rather than about operations. The $217M sum of the two disclosed radio segments is arithmetic, not a share: Stingray reports to 31 March and Corus to 31 August, and the CRTC's $1.06B is a broadcast year, so the three do not align. Bell Media, Rogers and the private regional groups are named without figures because none publishes radio revenue.

#

Where the industry talks

The associations, forums and events where people in this trade actually talk shop — where to listen before entering, and where the first customers are found. Each link was opened on the date shown.

AssociationCanadaA
Canadian Association of Broadcasters (CAB)
cab-acr.ca

National body for private broadcasters; its March 2025 CRTC letter was signed with 25 radio members representing more than 500 stations. Public member directory.

Checked 2026-09-22
AssociationOntarioA
Ontario Association of Broadcasters (OAB)
oab.ca

Private radio and TV stations in Ontario; awards, Hall of Fame and the annual CONNECTION conference.

Checked 2026-09-22
EventOntarioA
OAB CONNECTION 2026
oab.ca

28-29 October 2026, run alongside the Central Canada Broadcast Engineers conference; leadership and sales programs, $279 members / $349 non-members.

Checked 2026-09-22
AssociationWestern-CanadaA
Western Association of Broadcasters (WAB)
wab.ca

Private radio and TV stations of Alberta, Saskatchewan and Manitoba; 85th conference registration open; public members directory.

Checked 2026-09-22
EventWestern-CanadaA
FWD Conference
fwdconference.ca

New joint conference of the WAB and the BC Association of Broadcasters on the future of media in Western Canada; awards and golf.

Checked 2026-09-22
PublicationCanadaA
Broadcast Dialogue
broadcastdialogue.com

Canadian broadcasting trade news: station sales, revolving-door hires, regulatory news and a jobs board; also runs a podcast. Posts dated 22 September 2026.

Checked 2026-09-22
ForumUSA
RadioDiscussions
radiodiscussions.com

Long-running radio industry forum; sections for station buy/sell, equipment and jobs; General Radio Topics alone shows 4.6K threads and 90.5K posts, active September 2026.

Checked 2026-09-22
ForumWestern-CanadaC
RadioWest.ca forum
radiowest.ca

phpBB forum on radio stations in Western Canada and Washington State, with provincial boards and radio news sections; blocked automated access.

Checked 2026-09-22

NAB Show (nabshow.com) and Radio Ink (radioink.com) were opened and are live but are US-oriented and left off to keep the list to eight. RTDNA Canada is the journalists' body rather than owners'.

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Software serving this industry

Vertical software markets filed along the same branch of NAICS — who sells to these businesses, and who an entrant would have to displace.

Vertical softwareScreenedsame industry
Live Streaming & Broadcast Production SoftwareOne thing must be true
binding constraint: willingness to pay
Incumbent OBS Studio (free, open source) as the default; Streamlabs (Logitech) and StreamYard (Bending Spoons) as the paid layers

The customer here is 5161 as it now exists: licensed radio and TV stations, and the far larger number of creators, churches, schools and companies who broadcast online with no licence at all. The software does in a browser or on a desktop what a control room did: switch scenes and cameras, bring in remote guests, lay on graphics, send one programme to YouTube, Twitch, Facebook and LinkedIn at once, and, for audio, run an internet radio station's playlist, automation and stream. This record is the production tool; the licensed station itself is 5161-commercial-radio-station-licence, creator analytics and sponsorship tools are 5162-creator-economy-and-streaming-analytics-software, podcast hosting is 5122-podcast-hosting-and-monetisation-platforms, and post-production pipeline tracking is 512110-video-production-pipeline-software. The price of the core product is zero, and the platforms keep it there. OBS Studio is free and open source (about 77,000 GitHub stars) [A], and its sponsor wall lists Twitch, YouTube, NVIDIA, AMD, Intel and Logitech [C]: the platforms and the hardware makers pay to keep the default free. Twitch gave up its own tool, Twitch Studio, on 30 May 2024 because it carried under 4% of hours streamed, and pointed users to OBS, Streamlabs Desktop, XSplit, vMix and others [B]. Streamlabs is itself a free OBS-based desktop with paid add-ons; Logitech bought it in 2019 for about $89M cash plus up to $29M in stock tied to revenue targets [B], and runs it as part of Logitech G. The paid layer is held by owners with deep pockets and a habit of raising prices. StreamYard, the browser studio, was bought by Hopin for $250M in January 2021 and sold with Hopin's remaining products to Bending Spoons in April 2024, terms undisclosed [B]. Its pricing page now shows Core at $44.99/mo ($35.99 annual) and Advanced at $88.99 ($68.99 annual) [C]; reports of large post-acquisition rises come only from rivals and are UNVERIFIED. Restream (Austin; multistreaming plus a browser studio) raised a $50M Series A led by Sapphire Ventures and Insight Partners in 2020, claiming 2M+ streamers then [B]. Riverside, recording-first but with live, raised $47M to April 2022 [B]. Desktop switchers are owner-run and profitable-looking but publish nothing: vMix (StudioCoast, Australia; perpetual licences $60–$1,200) [C], Ecamm Live (Mac) [C], and Wirecast, still a Telestream product (footer: Telestream 2 LLC, 2026) [C]. Internet radio is the same pattern, consolidated into broadcasters. AzuraCast is free, self-hosted and open source [A]. RadioKing (3,000+ stations in 170+ countries) was bought outright by NRJ Group's towerCast in June 2023 [A]. SAM Broadcaster's maker Spacial says it was acquired in 2009, by Triton Digital per its earlier pages [C]. Live365 sits inside SoundStack and sells by bundling US music licensing (ASCAP, BMI, SESAC, SoundExchange) [C], which is the real lock-in for a small station — the royalty paperwork, not the software. Centova Cast (a Canadian control panel sold through hosting resellers), Radio.co (UK) and mAirList (Germany) are small private vendors [C]. Willingness to pay decides it. Hobbyists and most creators use the free tool; the professional buyer who will pay is already served by four or five well-funded or corporate-owned products, and the internet-radio buyer pays for licensing and hosting, which broadcasters (NRJ, SoundStack) already bundle. The one open seam is a narrow one — a Canadian-licensing bundle for small internet stations (SOCAN/Re:Sound/CONNECT tariffs) analogous to Live365's US bundle — and it was not tested at screen.

NAICS 516117 vendors namedOpen →